Some bands stay in a holding pattern their whole careers. Others jerk the steering wheel hard and fly off the road. On their second album, Vampire Weekend do neither. Or maybe they do both. "I think we sound more like Vampire Weekend than we did on the first record,"says drummer Christopher Tomson.

'Contra' pulls off a series of impressive feats: It’s bustling with fresh ideas and yet it sounds immediately familiar; it's heavily layered but taut and kinetic; it chews ravenously through sound palettes and rhythms, and yet it's nimble and assured; it's still breezy, and yet it smolders with a newfound emotional heft. "It's sadder than the first one, a bit more sentimental," says singer Ezra Koenig. The songs are catchy, fast, twinkling, clattering – the darker themes of loss, doubt and regret accumulate almost imperceptibly, but they land a powerful blow.

Ideas for this record had been bubbling since before the release of their debut. The band started recording in January 2009, only two weeks after finishing an 18-month world tour supporting their first record. They had initially planned to work in California, feeling that the new record’s spiritual home was the West Coast. The decision to work in New York, however, ultimately provided the freedom and perspective to properly realize their vision.

Contra, is as gem-like as its predecessor, if arguably less immediate. It finds inventive new ways to do the same thing as before – the classic task of a second album. - The Guardian

1. Horchata
2. White Sky
3. Holiday
4. California English
5. Taxi Cab
6. Run
7. Cousins
8. Giving Up The Gun
9. Diplomat's Son
10. I Think Ur A Contra