"[A] sense of displacement, combined with an ear for cinematic sounds-particularly the eerie, stylized noir of David Lynch, Jim Jarmusch, Quentin Tarantino, and Wong Kar Wai-fuels his work, which squeezes the sounds of early rock'n'roll and 1950s music through a lo-fi, distortiondrenched filter. This set of influences, which extends to the minimal thrust of Suicide and the Cramps' manic rockabilly, feels unique, simply because it's been largely untouched by indie music during the past decade or so.... Of course, mining a cool set of inspirations doesn't itself make for a good record. What Hungtai excels at, in addition to building evocative mood and atmosphere, is a sort of conceptual, film-like storytelling shot through the lens of these bygone eras of music." - Pitchfork






















